Darren aronofsky dating mila kunis
Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1.As they start spending time together they grow closer and closer and eventually find themselves in love. I am holed up in my hotel room on Sunset Boulevard watching tennis, drapes drawn against the remorseless sun, when suddenly: Ding! She sends her driver, Paul, a South African with a mellifluous voice, to pick me up, and before long, we are winding our way up, up into the Hills of Beverly, to the gated community where Lawrence lives in a house she bought last year for about million. Buck the system, set up home, and try to find a date._It’s sweltering in Los Angeles, the kind of heat that melts the ice cubes in your caramel macchiato faster than you can say Kardashian. Forget meeting at the Italian restaurant on Laurel Canyon; just come to my house now.Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.Beyond the romance though, Her has a lot to say about modern society's obsession with technology.The people in this futuristic vision of Los Angeles walk around talking to their computers and ignoring each other entirely, not unlike people today staring at their cell phones rather than talking to those around them.
Her is equally heartfelt and heartbreaking, a deeply personal and thoroughly enjoyable futuristic love story.
His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.
It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy.
The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves.
Theodore happens to see an ad for a new computer operating system that is programmed with a personality, and decides to give it a shot.
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His next film, the 2002 meta-comedy Adaptation, confirmed this with its dry wit and multilayered narrative.